All posts filed under “2022

Gen Morigami – Eternal Rave

1. You may interact with the MIDI controller (sixteen buttons). 2. The music changes over time. Most notably during different times of the day, starting: 3AM (Early Morning), 6AM (Morning), 12PM (Afternoon), 6PM (Evening), 9PM (Night) Eternal Rave intersects two topics of concern to me: […]

Electroacoustic Seminar – A Mass

What does musical connection look like in the wake of COVID?  What have we lost? A reflection on the past two years of isolation and digitally-mediated interaction, A MASS seeks to explore the impact of isolation through responsive aural and visual elements. A MASS was a collaborative […]

Jack Herscowitz – Intimate Messages

Intimate Messages is an installation for interactive messaging system, sine tones, contact microphone, paper, and yarn, displayed in the CalArts Wave Cave from April 17-23, 2022. The installation was divided into two phases: an interactive phase for audience engagement and a non-interactive fixed phase. I […]

Gemma Castro – SA SA SA

SA SA SA by Gemma Castro 2 Channel Video & Sound Installation Premiered at CalArts WaveCave Feb 13-19, 2022 SA SA SA Gemma Castro (Born California, 1996.) “I made this installation using footage from my phone over the last few years. Uncensored memories of myself, […]

Alex Hawthorn – The Book of Hours

I initially conceived of The Book of Hours after visiting the exhibition, Transcending Time, at the Getty Museum in late 2021. I was drawn to the devotional aspect of the Canonical Hours, specifically: a schedule of daily prayer eight times a day, roughly every three […]