Sam Wells – Four Winds: Environment

Four Winds: Environments Sam Wells November 7-13, 2021 single channel generative video, 3840 x 1080, four-channel generative audio Four Winds: Environments is an audiovisual work that present the four generative environments from the performance work Four Winds. The visuals are algorithmically generated from an archive […]

Jeremy Rosenstock – triadic waveforms

There are three “states” in this piece: (1) where sound and  image are aligned, (2) where sound is filtered in just  intervals, and (3) where sound aligns with the resonances  of driftwood. Image remains unprocessed, as a contrast to  any and all sonic transformations. Through […]

Simone Zapata – Voices Under Water

By Simone Zapata October 3rd, 2021 about the work I ask Yvonne, where do we go from here? To carry ten wands :  Voices Under Water is a multimedia installation incorporating field recordings, interviews, medical documents, video, and ten branches – representing ten wands.  Five […]

Zaq Kenefick – Structure Fire

Structure fire is a meditation on semantic mediation, utilizing translation through mediums as a way of non-semantically approaching identical information. The core of the sound is intuited by the artist and translated to text and video. In this iteration, the video and sound are translated […]

Pierre Emmanuel Mariaca – Prepared Harp & Shadow Theater

An interactive installation by Pierre Emmanuel Mariaca, MFA3 in Composition.Collaborators : Herry Kim, Ruoyi Shi and Dongpu Ling. This interactive installation is about creating your own experience of artistic composition with three main components : sounds, shadow theater and projected images.The SoundsFishing Lines: Take the […]

Jake Sucher – In Memoriam: Icebergs

Offerings to the glacier may be made using the microphone inside. A loud sustained sound will affect the sound design.Large chunks of ice that break from the side of a glacier become icebergs. These icebergs float through the ocean and melt.This piece is in memory […]

Jesse Reyes – Tuning as Material

The understanding of pitch is a product of memory. For example, one can develop “perfect pitch” by remembering the distribution of equally tempered intervals which are in fact a series of unnatural compromises. Pianos also maintain a memory of pitch. There are 15-20 tons of […]

Jaslyn Loftin – Mele o Hawaii (The Music of Hawaii)

This eight-minute installation took audiences on a journey of Hawaiian music: from the earliest documented music to the popular Hawaiian music of today. Visuals shown were the historical locations of which the music was practiced, and musical icons that shaped the sound of that era. […]

Aron Dahl – Proportions of Time

Proportions of time is an installation consisting of a 109 hours of 4-channel audio made on the Buchla Music Easel, and a video filmed around the Salton Sea. The Salton Sea lies in the middle of the desert and came to be after a 2 […]

Celia Hollander – Collective Phantom Ring

A multi channel musical composition with a speculative fiction narrative for eight flat panel speakers made from styrene and plexiglass. Collective Phantom Ring, an 8-channel musical composition and speculative fictional narrative for flat panel speakers, is an exploration into layering states of listening, merging temporal […]

Jack Dettling – last work//swan song

last work//swan song (2019) computer-driven piano, 4-channel audio, paintings 50 min last work//swan song is an installation based on the music of German Baroque composer Heinrich Schütz. The use of the computer to reconfigure Baroque music was largely inspired by the arca musarithmica, a 17th-century […]