A gallery sized leather quilt with speakers under it, Topography (II) is an exploration of the inscription of and by bodies. It is the result of anxious female energies. Elizabeth Aubert is an installation artist and composer based in Los Angeles. Topography (II) was installed […]
All posts by “wavecave”
Mint Park – Matrix Chamber
Matrix Chamber is an interactive sound gallery that instrumentalizes a space with movements and objects. Using bodies and boxes to generate multiple layers of data matrices that alter 16 simple sine and saw waves and 3D visual vector planes, audience can create their own unique […]
Sarah Reid – disonillum
disonillum explores the creation and dissolution of infrathin memory imprints through live interpretation of three-dimensional acrylic graphic scores and longterm degenerative audio processing. “Infrathin cannot be defined, it can only be experienced: …the warmth of a seat which has just been left …when tobacco […]
Daniel Reyes – Resonant Spectra
‘Resonant Spectra’ consists of two fundamental elements, the instruments, and the sculpture. The instruments are driven by two different sustaining techniques; two through physical contact with felt smoothing discs, and another through magnetic copper coils. Oscillating at a very low frequency, the string instruments rise […]
Jennifer Ingertila – Her World
Her World is a gallery featuring the collection of pieces called Toy Miniatures: Clock, Truck and Xylophone. The pieces are abstractions of the antique children’s toys they are based upon. The sculptures function as graphic scores, allowing performers to perform a playful interpretation of the […]
James Hurwitz – Illuminate
Illuminate is an exploration in how geometry, light, and sound invokes emotion and creat our reality. Pulsating LEDs illuminate geometric sculptures which invite you to take a closer look and explore the space. As you walk inside the gallery, you are immersed in pure light […]
Devin Ronneberg – Searching…
Searching… seeks to highlight the growing disparity between signal and noise in the digital age and how this disparity has placed a necessary emphasis on searching for the information that we need in the oversaturated digital sphere. In response to the ever increasing amount of […]
Jacob Goldman – it’s more how I expected it to be than I expected that it would be
Participants were asked to try to describe the sound of their own voices as they speak, so that what’s describing is what’s being described and vice versa. In addition to being recorded with a microphone, these descriptions were transcribed using Google’s voice-to-text API. Each participant […]
Cordey Lopez – Sitting Outside the Pavilion with the Elitist J. Vagushin
A wireless microphone attached to a blade on a rotating fan generates a feedback tone and a flash of light each time the microphone passes a speaker. Custom electronics alter the speed of the fan at irregular intervals. Ceiling fan, wireless microphone and receiver, speaker, […]
Danny Clarke & Eric Heep – Crystal Growth
When James Tenney developed his idea of modeling pitch material generation on crystal growth, he noted that, given certain simple settings, his algorithm would generate pitches in a way that mirrored the development of pitch materials over the course of Western musical history. This installation […]
Tim Tsang – Feedback Loop of the Long Clock of the Hear and Now (John’s Cage 112.0)
by Tim Tsang [39-42, 45-52] 39) I guess numbers help me to feel accomplished, productive, useful, happy. 41) Music (this term probably won’t be going away any ”time” soon) is/was never about music, but rather points toward the propositions that the music points toward. A […]
Sound as Object Class
The Fall 2014 Sound as Object Integrated Media class presents their end-of-semester installation.The sound installation explores spatial transitions by amplifying and re-amplifying recorded sounds from four unique environments. The hanging cardboard boxes function both as formal representations of space and resonant chambers. This piece is […]